You ever heard some soundtracks and wondered why they sounded so heroic? Well at least from a Wewstern perspective, of course. Anyways, I think I cracked the code. In a lot of heroic soundtracks (and others of similar nature) that I've heard, I've noticed a pattern in the chords used.
The most popular cadence: VI♭ → VII♭ → I. At times II♭ is used in those same kinds of soundtracks, too.
With all that out the way, I'll now show how I believe I've cracked the code for making "heroic" soundtracks: you use major chords with root notes under the parallel natural minor scale of the key that the soundtrack is in.
Let me explain:
So we have, for example, your basic C natural minor scale here.
Now, if you play major triads from C all the way to B♭, then you get these familiar chords.
Also sorry if this isn't written right. I literally made this in like 5 minutes xD
Using a popular example, I'll use this tune from Super Smash Bros Brawl at around 00:29 seconds in.
And another example, from a lesser-known franchise, Spectrobes.
Might add some more examples, later...
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